Easy listening with harmonious chypres

I have a passion for the easy listening music genre. I still love to dance myself daft to some grizzly drum and bass or steep a dark mood in the haunting howls of Beth Gibbons. But there is a peaceful joy in the honeyed jazz of Henri Mancini or the soulful samba of Brasil 66 from Sergio Mendes.

It’s all about mood. 

Moody marbles - it's a thing now

Our moods fluctuate. At times there may be euphoria, excitement and thrill or darkness, anxiety and melancholia. We hope for contentment punctuated by frequent moments of joy, but the reality is that much of the time we are in stasis, a state of unremarkable equilibrium as we go about our daily routines and habitual behaviour. 

Easy listening complements that equilibrium. 

When I prepare for a night out, I consider my scent choice with great care. Do I want to ooze glamour? Or lay a scented trail of indie quirkiness? Do I want to immerse my companion in a cloud of exotic spice? The selection of a special occasion scent is pleasurable, and one of the reasons why many fragrance lovers own far too many bottles of perfume!

When I consider my own collection, these ‘special’ fragrances are not my most valued. I often fear for their molecular breakdown as they are worn so rarely. I buy the smallest bottles available and store them with the care of a Museum Curator. I don’t own many.

My true love lies in my easy listening scents. The bottles that I can reach for early in the morning, those that will anoint me with companionable grace. Throughout the day I will catch gentle whiffs as they harmonise with my surroundings rather than shout for attention.  

My most melodic easy listeners are the classic chypres: Guerlain Mitsouko, Chanel Cristalle and Clarins Eau Dynamisante. There’s a theme here, they all smell natural. 

Mitsouko and Cristalle both feature an earthy dollop of oakmoss and lush layer of fruit. The mossy undergrowth is reassuringly grounding, the fruit, cheering and summery. They are the opposite of a Northern Winter. Whilst Mitsouko is warm, subtle and sensual, Cristalle is vibrant and full of daylight. Both have the capacity to be sprayed through my skin into my soul. They feel like me.

Oakmoss - prozac for witches

I rocket through bottles of Eau Dynamisante, at least one supersize Scarlett flacon per year. It’s the only bottle that I keep in my bathroom, safe in the knowledge that I’ll have used it up before the light and the humid heat can get their molecular meany mitts on my scent. Nothing refreshes like Eau Dynamisante and I will never be without her. 

A browse through the forums of Fragantica or Facebook often reveals threads where members ask ‘how much is too much?’ Or ‘when does a hobby become an addiction?’.  The answer is a personal one, we all know what we can and can’t afford to buy, what we can realistically use up before it turns and what will make us feel joy rather than guilt. 

When I observe my own collection, I see fragrant friends, the number of easy listeners far outweigh those that will only anoint only ‘the right’ mood. These infrequently worn exotic beauties are loved, but ruthlessly edited. I am happy in the knowledge that I will actually wear most of my perfumes to the end of the bottle. Maybe this is the answer to a carefully curated collection? 

Henry Mancini breezes easy in the med

The 100th post - revisiting my favourite articles at Odiferess

Crikey, this is my 100th article for Odiferess!

To mark the occasion, here is a round up of my favourite posts over the last 5 years. They are articles that fizzed out of me faster than my typing speed, those which are an utter joy to write. I like to think that they are somewhat 'different' from what visitors expect to read and that they offer an insight into my often bizarre thought process! 
I hope you enjoy revisiting them.

On Witches:
It seems fitting to include my review of Ormonde Woman by Ormonde Jayne, it is Halloween after all. Highlights include references to my Grandmother's dubious home remedies and getting ferns in your knickers.
click here to read

On Music:
A celebration of exuberant women in music, inspired initially by the technicolour wonder that is Regine Chassagne of Arcade Fire. What perfume would suit these musical marvels?
click here to read

On a truly saucy scent:
When Anubis by Papillon Perfumery brought to mind salty pirates, Captain Nolan and the power of female sensuality.
click here to read

On an under appreciated Guerlain:
Why is Idylle not hallowed in the Guerlain hall of fame? Here I speak of my love for the scent and swoon at Thierry Wasser. 
click here to read

On heartbreak:
A personal story of love and loss inspired by Jul et Mad - Terrasse a St Germain. 
click here to read

On the great outdoors:
A picturesque post where a walk in the Yorkshire Moors became an ode to the chilly aldehydes of Clinique - Wrappings
click here to read

On the significance of a Royal Warrant:
A rather slapstick look at branding within the British Perfume Industry featuring discussions about the Queen's fear of warts and why Fergie was the only Royal I'd invite to the pub. 
click here to read

On proper perfume:
The most recent post, on how I was overwhelmed by the beauty of Warszawa by Pure Distance. This posts discusses the concept that we might all be 'a bit too expert' and ponders the days before the online fragrance community existed.
click here to read

On the cats of perfume land:
How I fell in love with a furry little fella called Joseph and a photographic peep at the feline companions of my fellow perfume writers. 
click here to read


To ensure that you never miss a fragrant post you can either subscribe by email using the box in the right hand column, or hit like at:
https://www.facebook.com/odiferess/

2014 - My Year In Perfume, Moments Of Beauty In A Saturated Market

Looking back over my 2014 fragrance habit, I’m reminded of a feature written by Tania Sanchez in Perfumes, The A-Z guide. Sanchez describes her concept of our journey through a fragrance obsession in 6 specific stages leading from the childhood curiosity of our parent’s fragrances through to an enlightened conclusion. In this, the 6^th and final stage, she suggests that we might experience:

“Stage 6: Enlightenment.

Absence of ideology. Distrust of the overelaborate, overexpensive and arcane. Satisfaction in things themselves”.

This resonates with me.

In 2014 I was grateful to get my nose around a number of inventive and complex creations from the world of ‘niche’ fragrance (whatever that words means nowadays). However, I smelt a much larger number of ‘The Emperor’s new clothes’. By this I mean the fragrances that were churned into the market at high prices and high speed, often trading on the concept of ‘niche’ to justify the hoohaa. People talked about them and bought them. No doubt caught in the decadent grip of Sanchez’s earlier Stage 5:

"Stage 5: Decadence.

An ideology of taste, either of the heavy-handed or the barely there. The age of leathers, patchoulis, tobaccos, ambers; or, alternatively, the age of pale watercolours in vegetal shades. An obsession with the hard to find."

In 2014, brands that were initially marketed to the wealthy Middle Eastern consumer continued to be devoured by folk on ordinary incomes as online discussion groups were often dominated by ‘an ideology of taste’ that favoured the skilfully manipulated desire for the ‘private blend or the exclusif’. Additionally, some superstar perfumers increased the number of products in their own ranges at flabbergasting speed. This led to vast spending, often resulting in fragrance fans leaving Facebook groups to avoid the excessive shopping temptation created by discussions (and then giving in and coming back again such was the lure!).

The sheer number of 2014 releases from niche brands meant that many scents replicated what we have already smelt before. I found myself opening sample packages without the thrilling anticipation of the possibility that they could contain some sort of nose nirvana. This is not a good mental state for a perfume blogger!

However, it wasn’t all bleak.

Occasionally I’ll smell a perfume that penetrates my imagination so thoroughly that I can type up an article swiftly and with great excitement. Others require much pondering and a painful number of hours at the screen. When I smelt the smouldering Anubis by Papillon Artisan Perfumes, the imagery it created for me was instant and exhilarating. It was by far the most thrilling post to write this year. Click here to take a peek at David Hemmings’ marvellously wild face, some fatally seductive sirens and one of the most successful indie releases of the year.

Danger for lost seamen - Anubis

Thrills aside, my favourite article of the year was my post on Guerlain’s understated masterpiece - Idylle. I believe this rarely discussed scent is deserved of the accolades that Guerlain’s stable of historic classics receive in profusion. Click here to read why I thought it to be the misunderstood outsider.

The relationship between fragrance, music and celebrity continued to excite me as my imagination frequently allotted a musician to my perception of a scent. The gargantuan floral punch of Byredo – Flowerhead brought indie powerhouse singer Beth Ditto to mind which resulted in one of the odder of the Odiferess reviews. Whilst Nobile 1942 – Infinito evoked decadent sensations of late nice dancing in the woods at summer music festivals.

Betto Ditto in technicolour

My own wardrobe in 2014 gained some pleasing additions, with an increased fascination for floral, green and aldehyde notes occurring. My most appreciated new entry was Clinique - Wrappings, an overwhelmingly picturesque outdoorsy whiff, sparkling with aldehydes and unlike anything I’ve ever smelt in a perfume bottle. Its originality was amplified by my perceived stagnation of the overfilled market. That Clinique have not released this scent on their standard counters is bizarre.

The feeling of Wrappings, a bracing bottle of oxygen and nature

More greenery arrived in the form of a new bottle of Guerlain - Vol De Nuit, when I say ‘a bottle’ I actually mean the extraordinary object of great glassy desire that is the Parfum Extrait. Whilst I adored my (nearly empty) EDT, I felt a compulsion to be able to hold this gilt propellored creature in my hands and stare lovingly at it whilst anointing myself. I wasn’t disappointed.

My pretty thing

I clearly went through some sort of ‘grown up lady’ phase befitting for my forties as I frequently reached for Lanvin - Arpege, Chanel – No 5, Van Cleef & Arpels - First and Lubin - Nuit de Longchamp. Interestingly, my new job in September inspired me to dress with increased sophistication for work and make the effort to apply make up at stupid-o-clock in the morning. Perhaps these scents helped me to feel suitably groomed?

To round up, here is a list of my most frequently worn and adored scents of 2014 (you can click on those in a different colour to read a review) :

Guerlain – Idylle EDT

Clinique – Wrappings

Gucci – EDP (The discontinued caraway & leather oriental)

Chanel – No 5

Guerlain – Vol de Nuit

Chanel – 31 Rue Cambon (which has now been outdone by a last days of December purchase of the blissful Cuir de Russie)

Caron – Muguet de Bonheur

Lanvin – Arpege

Yves Rocher – Voile D’ Ambre

Robert Piguet – Calypso

And a list of those which I do not yet own but seduced me at first whiff:

Papillon Artisan Perfumes – Anubis

Scent on Canvas – Brun Sicilien

Guerlain – Idylle (in EDP form)

Clinique – Aromatics in White

Narciso Rodriguez For Her – Musc Eau de Parfum Intense (the flanker with the dusky pink metallic bottle that smells oddly like the opening of Serge Lutens – Tuberuese Criminelle)

Neela Vermeire – Mohur

Serge Lutens – L’ Orpheline

Hermes – Santal Massoia

Parfums Nicolai – Maharanih

Chanel – Jersey

As I consider my 2015 articles for Odiferess, I shall be searching for the magnificent amongst the mediocre and aim to bring you some reviews of genuinely innovative scents. As usual I’ll be letting my imagination investigate some eclectic cultural nonsense in which to tell you about them! In the meantime, I’d love to hear about your favourite scents of the year.

On Perfume Promiscuity - The Great Solo Scent Adventure, Part 4 - The Final Results

Last week I announced the launch of ‘The Great Solo Scent Adventure’, an experiment designed to discover how we promiscuous perfume lovers fared when restricted to wearing just one scent over a period of three days and nights. I intended to write a single post featuring our results but the responses from the participants were so intriguing that I posted two of them as stand alone articles. You can read Tresor’s story of Clinique Aromatics Elixir here and Nancy’s tale of Armani Privee Ambre Soie (and some extraordinary memories of Hurricane Katrina) here.

Read them? Best get the kettle on as it’s going to be a long one!

By far the most interesting outcome of the experiment was the fraught process of selecting ‘the chosen one’. My own priority was to choose a fragrance that would feel comfortable throughout the period. This was tricky as I am very much governed by an AM/PM feeling. During the evenings I douse myself in something rich and decadent, an opulent oozy oriental such the original Gucci EDP or Olfactive Studio's  Chambre Noire. If I applied these whilst dressing for work in the morning I’d most probably vomit up my cereal. Mornings find me reaching for the brightest sparks of my collection, Clinique Wrappings often assists in my awakening with it’s crisp woody aldehydes and citrus Prozac. At nighttime, it feels just too darn perky.

The chosen one needed to fit both criteria, a sparkle in the morning and some evening sumptuousness. It must not shout at my senses at either end of day. Which is why I selected Guerlain’s lush floral - Idylle. You can read about my adoration for Idylle by clicking here.

It struck me that we all need an ‘Idylle’ i.e that which can safely offer us enjoyment without being over demanding, a source of comfort and a reliable ally. One that will elicit a gentle sigh rather than a fearsome growl upon application. Whilst perusing my collection, I realized that I have only a couple of bottles of this type of best friend scent. The diversity of genre is vast, meaning that I pick scents for really specific moods and times.  Most of them are inappropriate for at least 75% of my sensitive brain’s day.

I surmise that the next bottle I buy will be another best friend scent. The trouble with keeping all of these ‘special mooders’ is that although it is fabulous to have an atmospheric drawer of wonders, they are ultimately going to go off. With cool dark storage there’ll be no problem whilst they are reasonably full, but as the bottles empty over the years the oxygen is most likely going to give the dregs a severe kicking. With this in mind, I sniffed at my beloved bottle of special mooder - Serge Lutens’ Fille En Aiguilles. The sorry looking final 10 mls still thankfully smelt as it should. Did this count as breaking the rules? I didn’t spray any but I felt a little concerned that something that wasn’t Idylle had sneaked up my nose. Perhaps we perfume lovers could benefit from anti-depressants to stabilize our moods to the point where we only feel a pleasant blandness. Then all we’ll need will be just one bottle of best friend?

Andrew said of his chosen scent:

“I’m choosing Dior Privée Patchouli Imperiale because of the private collection that I’ve tried so far, this may be one of my least favorites so I want a chance to get to know it better, especially since I think it would be appropriate for Fall.”

And of his general perfume choice habits:

“Mood, outside temperature, activity, proximity to others, clothing choice, and general curiosity about new scents all factor into why I choose a scent.  There’s a level of appropriateness which I generally try to follow, but as I primarily wear fragrance for myself, I find myself breaking the rules ever so slightly just because I can.  For instance, I’ll wear Etat Libre d’Orange Rien or Comme des Garçons Black in the Summer but maybe not applied as heavily.  So even though seasonality does have something to do with the decision, I mostly wear whatever I want whenever I want.”

Similarly, Charlotte was not restricted by seasonality:

“I think my mood is the predominant factor in selecting my fragrance.  I don't wear any of my scents as being for cold weather, or those that are for warm weather.  I have found that some scents that are deemed cold weather scents such as orientals and some that are deemed warm weather such as florals are even more beautiful when worn in the opposite season.  Florals take on a new character in the winter and orientals or heavier scents literally bloom in hot weather.  I never allow season to dictate my choice of fragrance.”

One factor that linked all of the participants was a passion for a wide range of fragrance genres which could be worn at any time we feel like it. Perhaps this scattergun style appreciation is a contributing factor to the sizable mass of scents that we own?

On her selection process, Charlotte said:

“I chose Prada "Infusion d' Iris" because I think it can be worn by both women and men and during any season.  It is one of my favorites, but will I tire of it after 3 days?  Only time will tell.”

I think that Charlotte’s choice represents a ‘best friend’ scent in that (alike my Idylle) it is beautiful but not challenging. Was Charlotte adopting a similar approach to me for the adventure?

Linda’s choice was:

“David Yurman’s Exotic Essence (I will be calling it EE here)

It had to be safe for all times of day/night, not too heavy or too light (skin levels bore me fast). Something I really liked that wouldn’t kill me if I could no longer stand to wear it. I looked for one where I had a full bottle and a purse size or samples to take with me, and hopefully a lotion also.  It would be a versatile, semi generic, sweet, vanilla, floral or fruity”

Prior to the adventure we experienced mixed feelings. Personally, I felt some excitement in the idea that I would be returning to the days of not obsessing about perfume (I know I write about the stuff prolifically, but it can often be overwhelming in it’s intrusion of my life). Here’s how the others felt:

“Frightened, I know I will be bored within the first day and what if I ruin that scent for me. What the heck have gotten myself into?!?!?!” Linda

“I think it will present a real challenge because I like to change my scent at least twice a day if not more.” Charlotte

“I could do it but it would be a bit challenging.  We’re not exactly the same people for three days at a time.  Life isn’t static and neither are our perfume choices.” Andrew

The Diaries:

Andrew

Monday: 

9:00AM - I nearly forgot this was the week I was wearing the same fragrance for three days straight!  Nearly…well, after three spritz and hitting the road, I’ve unfortunately come to the conclusion that that was two spritzes too many.  Yikes!  The projection on this thing!  Tonight, I’ll have to tone it down and stick with just one tiny spritz.

I chose Christian Dior Collection Privée Patchouli Imperiale because of the other Dior Privées that I have or have had, vintage Bois d’Argent, Cologne Blanche, Ambre Nuit, Eau Noire, Leather Oud, and Oud Ispahan, this one gets the least amount of use and I’m not sure why because I love patchouli.  There’s also something Dior has going on with all those I’ve mentioned; I’ll call it the Diorade, à la Guerlainade.  It’s something that’s common about all of these, a similar base that tells me without a doubt, this is Dior Collection Privée, and I recognize and welcome that in Patchouli Imperiale.  Still, there’s something in PI that I’m not naturally gravitating toward as often as the others, outside of the Dior house as well.  Maybe I just need to apply it more sparingly and get to know it more slowly.

6:30PM - One conservative spritz in the evening and my suspicions were proven correct.  I’m enjoying this far more, able to explore more distinct notes without the intensity of the beastly projection I afflicted myself with earlier this morning.  It’s a creamy patchouli, coupled with that recognizable Diorade I mentioned earlier. 

Qu’est-ce que c’est, ce Diorade?  Hmm…let me try to describe it.  It’s a clean heart or middle note, a little marine, slightly ozonic in a neutral kind of way, sweet, nutty, a little powdery but not too powdery.  Depending on what gets added to it, for example, turn it into a Cologne Blanche and you get more powder, but go the any of the other directions and, though it remains a common element, it’s not as pronounced.

Tuesday:

8:30AM – Just one spritz.  Okay, probably just half a regular spritz.  Interesting…I find that the less I use, the more I like this Dior Privée.  Rather than overwhelm, it plays out sort of a salted caramel note and I can explore the slightly powdery patchouli without being distracted by the sweetness.  In fact, it actually takes on a nuttier vibe.  I even think I’m getting something slightly animalic.  And no, I did not check out any of the accords or note classifications prior to or during this experiment as I want to be certain what I’m perceiving is actual and not merely by suggestion. 

7:30PM – Caramel corn…with peanuts.  Maybe, I don’t know anymore.  With an additional mini-reapplication, I’m getting really different notes, maybe as it’s mixing with my chemistry more and more.  This isn’t that far off from that O’Driu Peety perfume that encourages you to add a little of “yourself” to personalize it.  We do that with our own sweat, don’t we?  And yes, we all sweat, so there’s no use getting grossed out there. 

10:30PM – Slightly spicy, earthy, caramel corn – on account of the sweetness accompanied with a butteryness.  Today has convinced me that where Patchouli Imperiale is concerned, less is certainly more.  And to be perfectly honest, though it’s been tough not trying on or wearing other fragrances, I’m determined to stick to this three day challenge.  It’s actually rather nice not spending the excess time pondering what fragrance to wear, not that this took up an enormous amount of time usually, but just that that part of my life was instantly simplified at least for three days. 

Wednesday:

7:30AM – Okay, I feel like I may need to do this with all fragrances I’m unsure about and even with those that I am because I really feel that by the third day of this mini-adventure, I’ve really gotten to know Dior Patchouli Imperiale. 

There are quick, cursory judgments in so many things we do in life, like what we instantly think of that person on the road cuts us off and who also happens to have an inspirational bumper sticker expressing their view on life, or when you take the time to open the door for someone who glides through, their nose stuck to their smart phone, not even acknowledging your existence or courtesy…I think perfume suffers the same kind of mishap.  It’s a two way street, how the perfume performs, expresses itself, and how it performs and expresses itself when combined with you; it’s really a chemistry experiment and sometimes there’s a connection, sometimes it takes time, like dating.  And everyone’s chemistry is so unique so there are more factors at play than what the sales associate at a fragrance counter can tell you or what a fragrance blogger’s opinion may be.  Those are all subjective assessment and you’ll never really know until you go down that road for yourself. 

I actually had one sales associate do a very unique fragrance consultation on me, asking me about my diet and nutrition.  He said that your body’s PH levels also greatly affect how a fragrance performs on you.  I forget the particulars of our discourse, but I recall that at that very time, I was exploring Veganism, which, even excluding carbs, would make me more alkaline than usual.  Apparently, that matters.  Great, you’re thinking; now I have to worry about how my diet is affecting my fragrance and not just my waistline.  But if you think about it, next time you wrinkle your nose at a fragrance you’re trying, don’t take it all out on the fragrance because you actually have a contributing factor as well.  And don’t take other people’s word for it either. 

And now, back to Patchouli Imperiale…I get an almondy note this morning with a smooth patchouli that evokes polish and clean lines, not crunchy and hippy-dippy vibes.  Worn lightly, this might even be appropriate for work.

2:04PM – Butterscotch/floral something?

4:57PM – Sweet, earthy floral.  A very clean patch.  If anything, these three days have taught me to slow down, take time, and really appreciate the fragrance I put on and not merely spritz and go, or to keep a wandering eye as to what’s new or next in the search.  Knowing what I now know, I’d wear this more.  But then again, I feel like giving more of my fragrances this kind of a field trip to really get to know them one on one.

7:38PM – Re-spritzed after the gym and shower and no, I didn’t overwhelm anybody at the gym previously.  I just had on what I put on from the morning, which had settled in and mellowed nicely into that non-descript Diorade.  Now, if I could smell my own neck, I could probably tell it was Dior Patchouli Imperiale, but otherwise just a cozy, slightly warm, close skin scent.

Right now though, post-gym, my body temperature is still a little elevated so even the tiniest spritz is projecting right up to my nostrils but by now, it’s a familiar scent, one that reminds me that this is what fragrance is all about, enjoying the composition bit by bit, having it play a part, like a soundtrack in the things you do day in – day out, but most importantly, how it makes you feel; inspired, nostalgic, adventurous, somber, mysterious, sexy, beguiling, safe, comfortable, or just natural. 

I feel like I’ve really gotten to know my Dior Collection Privée Patchouli Imperiale or better yet, it’s gotten to know me better, and together, we’ve reached a mutual understanding.

Almost tempted...

Charlotte:

Monday

After my shower this morning, I liberally sprayed on my Infusion d' Iris.  I love the clean notes of this fragrance.  I am anxious to see how tomorrow will be as I apply the same fragrance.

Tuesday

The Infusion d' Iris is beckoning me to apply it for a second day.  My other bottles are gazing longingly at me though, saying "pick me".  This evening after a warm shower, a manicure of my nails and general pampering, I felt a strong urge to try something new, but I resisted the impulse.

Wednesday

I will stick with this 3 day project, I told myself as I applied Infusion d'Iris for the third day.  My new bottle of Amouage "Sunshine" was calling my name though because it is a cool dreary day here in the Tundra.  I wore my committed fragrance all day and it is evening.  I have taken my shower and will apply one last spray of the Prada, but my heart longs for just a spritz of the "Sunshine".

My conclusion, I am a confirmed and dedicated fragrance whore, who would find it impossible to be faithful to just one fragrance!

Exotic Essence

Linda

"Weekend before:  EXTREME panic, worry, stress!!!!

Monday

AM: Loving the scent as usual, a lot less panic.. Maybe this will work out okay, going to the San Francisco coast, a different weather there, windy salt air, should be okay.

Afternoon: Sprayed. Still nice, enjoying it. EE is going fine in the cool windy SF, in both the salty pier and in the spicy Chinatown areas.

Evening: sprayed, okay & still appreciating the scent but after 10 hrs I am starting to get a bit bored with the peach & wanting a heavier scent as I usually wear a strong floral or heavy  oriental at this time.

Bed 1am – definitely getting tired of but doing okay, it’s sweet enough to what I usually spray on bedding.

Tuesday

AM: sprayed, still like EE but not enjoyed it as much as usual, It didn’t make me do the “smile, & close my eyes while taking a deep inhale and savor”

Afternoon:  I think I cannot smell EE as strongly as usual.  A half hour after spraying I need to sniff right above my skin to smell it.  Mix of feelings, boredom and bit of frustration.  I still like it but not enjoying it.  If I had to rate the scent on parfumo now, which allows rate by increments of 10, I’d only give it a 70 instead of the 90 I usually feel towards it..

Evening:  Sprayed. Canned peaches in heavy syrup?  How did the sweetness get so heavy? Where did those lovely oriental notes go? My eyes keep going to my bottle of Fancy Nights, the heavy, sharp patchouli in it is so calling to me like an old-time siren.. LOL  Nope, I am staying strong..

Bed:  not spraying my linens, think going without is preferable at this time.  Hope changing my habit is not cheating… But I need a break, clear my nose and maybe I will enjoy EE more tomorrow.

Wednesday

AM - delayed until almost noon, hesitation, apprehensive, but once I did spray I liked the scent, and EE is back to her normal yummy self.  So although I’m bored and the excitement is missing, I can pretty much still enjoy her.  Can’t look at my other bottles thou, they are getting just too tempting. My mind is remembering  Gres’ Cabotine Rose and how perfect she’d be right now..

Afternoon – Frustration is really kicking in, I’m getting snippy over little things.  Right after spraying I got a headache.  I’d do anything for a change of scent right now, am going to cut a bunch of the last of my roses to bring indoors.

Evening – Want to bath in Ysatis instead of spraying EE again, but did.. Even LouLou or Chl#5 are looking good to me right now and I can rarely take wearing them..  After an hour I broke down and spray the room with a strong air freshener, Scentsy’s Green Tea and Cactus. I actually feel much better, almost like I’m clean again.  Yeah I probably cheated even if I didn’t put it on me, sorry but even people who have a signitature scent are occasionally surrounded by other smells.

Bed - Sprayed my pillow & sheets with EE, couldn’t take spraying myself again.  The cloying sweetness is starting to make me nauseous. EE is sweet but not nearly as heavy as she seems to be to me right now. I don’t dislike EE but I think it will be a long long before I can wear her again.   My mind is racing with trying to decide what wonderfully different scents I get to wear tomorrow,  think I’ll start with a fresh almost greenish floral in morning, Tigress in the afternoon,  then something really heavy..  O all the possibilities!!"

Back in the UK, two of my fragrance buddies Margaret and Avril decided to join in. Although I didn’t give them the questionnaire that I sent to the others (for fear of the article being too huge, aherm…), they did send me some thoughts on their experiences. In similarity to Linda, Margaret did not enjoy it:

Margaret

“Experiment time was BORING!!  I have discovered that I’m not over impressed by Visa compared to Fracas and it did not last on me, but what’s new there?  I actually got through a full 5ml decant in an attempt to keep myself scented.  My hands were itching to spray something different with more oomph.  It felt wrong somehow and I felt I was being disloyal to all my other babies.  I thought it would be easy and yes I managed but I’m so happy I can wear something else tomorrow as I have discovered I need to change perfume to match mood and weather and I feel out of sorts if I do not.  I honestly did not think I would feel like that and its strange I think in the future I could manage to go without ANY perfume for 3 days rather than wear the same. How crazy is that?”

I can understand Margaret’s point. Although I loved each spritz of Idylle I did not feel the need to spray at my usual frequent intervals. Perhaps the multiple spraying habit tends to be driven by the necessity of ‘newness’?

Avril also had issues with being able to smell her choice of scent:

Avril

“This 3 day thing was amazing!

Day 1 I was delighted I chose Le Parfum de Therese. I hadn't worn it since I bought it a couple of months back and really enjoyed getting wafts of it. I could pick up on the individual components a lot more than before like the tangerine, melon and slight vetiver… It gets a bad rep for longevity and sillage but on me it lasted a good 4 hours which is a miracle for me. The drydown is beautiful too.

Normally I wear a daytime frag and always wear something else in the evening. I get bored easily and no matter how much I like a scent I need a change of scenery as the day progresses. So I just reapplied and still enjoyed it as much as I had during the day. I was quite taken aback at how lovely it still smelled, as if I had freshly applied. It's rare I get that on reapplication. So day 1 was fab!

 Day 2 I woke up excited to wear it again as I'd enjoyed day 1 so much. I also enjoyed not spending an hour at bedtime deliberating on what fragrance to wear the next day. This is an annoying part of my bedtime routine as I chop and change my mind and get into a panic if I can't make my mind up! It's a bit like the comfort of a school uniform. So day 2 was rather like day 1. Longevity wasn't as good as day 1 though and even when I reapplied I couldn't really smell it.  I reapplied again in the evening and was disappointed I couldn't smell it like before.

 Day 3 I still got up and wore it. Although I couldn't smell it at all and it wore off really quickly. At this stage I had received some perfumes I'd bought with lots of decants and tried one on a jumper. The smell was incredible and I was so dying to try it on my skin!!! So I had a shower, and then I caved in. I couldn't resist.  I had to smell it. I needed some olfactory stimulation! !!

So all in all a very interesting experiment.  I will definitely do it again with another scent but for 2 days I think rather than 3.

As for me?

Well, I’m glad the others contributed so thoroughly to the adventure because my own experience was, from a literary point of view, rather boring! I began with adoring Idylle and ended with adoring Idylle. It was, indeed, ideal.

In the days preceding the adventure I over thought my choice of scent, spending too much time spraying my potentials and pondering which one would be consistently pleasing. This was the only genuine bit of drama in my experience.

On night two, Margaret spoke to me of Visa which initiated my only wobble. Because although she regretted her choice, Visa is one of my most beloved scents. After I left our Facebook conversation I sat by my dressing table and held my miniature bottle of Visa. I managed to resist temptation and left it out ready to apply at the end of the challenge. When the end came I dopily reached for Idylle post morning shower and went off to work smelling exactly the same as I had for the last three days. It was pleasant…

So what have we learnt from this experience?

Several of the participants concluded that it gave them the opportunity to thoroughly get to know their scent which perhaps does not happen when we wear them infrequently. In particular Andrew and Nancy seemed to develop a strong sense of the different facets and subtle changes during the wear of their chosen ones, ultimately deepening their appreciation of them. I personally found that I was more sensitive to the beauty of the dry down of Idylle, a factor I had previously missed due to plastering on a stronger scent as it wore off. 

I have thought for some time that owning a vast collection of scents was somewhat pointless due to the dreaded molecular disintegration that occurs when you can't get through those bottles fast enough. Perhaps it's time to get rid of the lesser loved and cherish only those that would survive a few days of continuous wear? I'm not saying that I'd care to part with my rarely worn wonder - Fille En Aiguilles, but I do believe now that there is only room for a small handful of these exotic occasional scents in my collection.*

* I reserve the right to change my mind about this in the near future and continue to amass a stash of daft scents.

Thank you so much to all of those who took part, your responses were fascinating and I'm enormously grateful. Thank you also to my readers who managed to find time to wade their way through the almighty word count of this adventure. The next one will be brief, I promise.

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